Lab Goddess Fibre Club October 2015

The first installment of the Lab Goddess Fibre club went out last week, and I've been eager to share it with everyone.

As part of the fibre club membership, in addition to getting an exclusive colourway inspired by a female scientist, you also get included with your package a mini-biography of the person, a walk through the development of the colourway and why I chose the colours I did. This very special first fibre club was inspired by Dr. Marie Curie. Really, could it have been anyone else?

Alpha, Beta, Gamma on Finnish

Alpha, Beta, Gamma on Finnish

Marie (Maria) Sklodowska Curie

Born: 7 November 1867

Died: 4 July 1934

Maria Sklodowska was the youngest of five children born to two teachers – her mother ran a boarding school and her father taught mathematics and physics. When the Russians eliminated laboratory science from the curriculum, her father brought the equipment home for his children.

As she was unable to go to university in Russian-controlled Poland, Maria enrolled at the University of Paris, where she studied physics, chemistry and mathematics from 1891-1894. When she finished her studies in 1894, she planned to return to Poland, but she discovered upon a return visit that she would not be able to pursue her career there, again because she was a woman. She instead returned to Paris to pursue her PhD, and married Pierre Curie.

 Madame Curie’s dissertation work grew out of the 1895 discovery of X-rays. Her research investigated these rays emitted by the element uranium. She found that uranium rays (radioactivity) enabled the surrounding air to conduct electricity, and could easily be detected with an electrometer. Her further work identified two uranium-containing minerals that were more active then uranium in terms of their radiation; her hypothesis that these minerals contained other radiating elements led to the identification of polonium and radium in 1898.

In 1903, Marie and Pierre Curie shared the Nobel Prize in Physics with Henri Becquerel, the first time the prize had been awarded to a woman. Three years later, Pierre was killed in an accident, and Madame Curie was offered his chair of the physics department at the University of Paris; she became the first female professor at the University.

In 1910, Marie isolated radium, and in 1911, she was the first person (and still the only woman) to be awarded a second Nobel Prize, this time in Chemistry for the discovery and isolation of radium and polonium. She remains the only person to have won Nobel Prizes in multiple sciences.

The practical importance of Marie Curie’s discoveries is hard to describe completely. The discovery of radioactive decay threw a monkey wrench into the understanding of physics and chemistry at the beginning of the twentieth century. The discovery of radioactivity has contributed to advances in physics, medicine, anthropology and geology, to name a few fields. In my own experience, radioactive isotopes are used extensively in the lab on a daily basis for cellular and molecular biomedical research, enabling scientists to answer critical questions about health and disease.

Sadly, our current understanding of the dangers of radioactivity were not known in Madame Curie’s time, and she died in 1934 from aplastic anemia, a blood disorder that was a direct result of her early, unprotected work with radioactive compounds    

The colourway:

Madame Curie is the first woman scientist I remember reading about as a child, and I was fascinated by this woman who refused to let being a girl stop her from doing incredible things. In developing this colourway, I wanted to recognise the life-saving consequences of Madame Curie’s work, but also the dangers inherent in radiation.

I chose a bright, leafy green combined with murky chartreuse, separated by darker obscuring shades, all of which is meant to signify the light and dark sides of radioactivity.

The name comes from the three particles that are emitted during radioactive decay    

Fait accompli

I've just returned from a trip to the post office, to send out a very special pile of knitwear.

It's been a bit of a crazy few months while I've been working on this collection. I've had a few shows, looked at a lot of very expensive and not very nice property, been back to the States on a scouting trip against the possibility of moving back next summer, seen family, come back, put on a Yarn Crawl and Marketplace, seen more expensive real estate, starting visiting secondary schools with my daughter, put in an offer on a house, had the offer accepted...you get the idea. And all the while I've been plugging away at this accessory collection, in the fantastic Tundra from the Fibre Co.

As the pieces have only just gone off for their photo shoots, I'm not going to reveal too much, but I will share these details: there are three hats, two pairs of fingerless mitts, two cowls (one of which comes in two sizes) and a long, narrow shawl. All of the pieces have cables and texture - some are all over, some have just one focal cable, some have an all-over cabled pattern. All are worked in bulky weight yarn, so they knit up super fast. They all take between one and three skeins of Tundra, and are super soft and squishy.

Over the next few weeks I'll share more details of each piece and the construction, but I didn't want to go much longer without letting you know that I'm still here, and there is still lots and lots of knitting going on.

The Boardwalk Collection Blog Tour - Bagatelle Cowl

Welcome to Stop 8 on The Boardwalk Collection blog tour! When Kettle Yarn Co. first contacted me about being a part of this endeavour to highlight the new DK version of her extremely popular Islington fingering weight yarn, I was thrilled with the inspiration and design spec - Linda asked for pieces with lots of negative space, highlighted with geometric lace designs. I was hooked!

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

I've always loved the seaside, and spent vast amounts of time growing up on the beaches of New England, particularly Maine. Those rocky, somewhat barren shores have very little resemblance to the more cosmopolitan beaches of places like Brighton and Lyme Regis, but the salty breeze and calls of the seagulls are constant. With the Bagatelle Cowl, I wanted to capture the lines of piers emerging from the water's surface, ebbing and flowing as the tides go in and out.

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

Bagatelle is knit in the round, and the focal point is a strongly vertical lace pattern that biases across the face of the cowl. The edges are finished in simple seed stitch, evoking pebbly beaches. The pattern includes both written and charted instructions, but if you're new to knitting from charts, this pattern would be a good starting point, as the lace stitch itself is very simple. The pattern uses 2 skeins of Islington DK, and is plenty long enough to double up around the neck.

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

The Islington DK base is perfect for this type of accessory - hefty enough to give real warmth to the finished item (perfect for our somewhat inconsistent British summer weather or for the transition into autumn), but with beautiful drape and swing. The combination of 55% Bluefaced Leicester and 45% silk results in a yarn with plenty of elasticity and luxurious shiny softness. And the colours are perfection...

The Boardwalk Collection includes patterns from a phenomenal group of designers: Arcade by Isabell Kraemer, Pavilion by Renée Callahan, Promenade by Maria Magnusson, Seaward by Rachel Coopey and Jetty by Linda Lencovic. You can see all the designs on Issuu or (hopefully) in the preview below.

In the works

I've been thinking about cables lately, despite the fact that it's nearly August. Specifically cozy warm cables worked in luscious yarn that can snuggle up around your neck, or cuddle your ears or warm cold fingers this upcoming winter....in other words, I've got cable patterns on the brain, a box full of yarn support, and I'm venturing boldly into Accessory Collection territory. 

Warning: post conatins photos dangerous to cold sheeping intentions

This collection is happening in collaboration with the wonderful people over at The Fibre Company, purveyors of incredibly special luxury yarns with beautiful palettes of colours. The yarn I'm working with is their chunky weight Tundra, a blend of 60% llama/30% merino/10% silk. 

Prototype #1, in Bearberry

Prototype #1, in Bearberry

To say that this yarn is squooshy is a gross understatement! It is a true pleasure to work with, and being a chunky weight means that the projects are knitting up super-fast. The first prototype is done and blocked, and has me wishing it were just a bit colder so I could wear it constantly.

Prototype #2, in Larch

Prototype #2, in Larch

Prototype #2 is on the needles and well underway - I need to do a bit of figuring on how the crown decreases are going to work, but I'm hoping to have this done by the end of the week before we go on holiday. Sadly, I won't be taking any of this yarn with me on our first summer holiday - backpacking + Italian August + llama are not a good combination in any scenario. But I'll be back to these for the second trip of the summer to the States, when I will be child-free for at least a week, and have lots and lots of time on airplanes...knitting bliss!

Bagatelle Cowl

I'm super excited to show off my latest pattern release, the Bagatelle Cowl, part of the Boardwalk Collection from Kettle Yarn Co., which is launching tomorrow, 13 July.

Photo copyright 2015 Juju Vail for Kettle Yarn Co.

Photo copyright 2015 Juju Vail for Kettle Yarn Co.

I'll have a lot more to say about this pattern on (revised date) 4 August, when I'll talk about the design in detail for the blog tour for the collection, but suffice to say that Linda's new yarn base, Islington DK, was a dream to work with, and I loved every second of working with it. Don't miss the launch of the collection and the blog tour on Linda's blog tomorrow. And you can see all of the patterns in the collection on Ravelry.