Lab Goddess Fibre Club, Q4 2016

So somewhere in the haze that was October-December, I managed to completely forget about a) this blog and b) sharing the monthly fibre club colourways. What this means is that I now get to do one biiiiig blog post about all of them, and remind you to sign up for the first quarter of 2017, which is currently being dyed...;-)

First up: October's lovely Alchemy on moorit Shetland, inspired by Irène Joliot-Curie:

As the Lab Goddess Fibre Club came around to its one year anniversary, it seemed appropriate to highlight the daughter of the inaugural Lab Goddess, Marie Curie. Like her mother, Irène Joliot-Curie worked on radioactivity. However, her path to scientific success took a different route. Her scientific studies were interrupted by World War I, and she spent time with her mother running the mobile field hospitals equipped with the first X-ray machines used in the field. After the war, she returned to Paris to study at the Radium Institute, and met her husband, Frédéric Joliot. They combined their efforts to study atomic nuclei, identifying positrons and neutrons.

In 1934, the Joliot-Curies made the discovery that would later earn them the Nobel Prize in Chemistry in 1935; they converted boron into nitrogen, aluminium into phosphorus and magnesium into silicon, all through the use of radioactive irradiation. In their successful conversion of one element into another, the Joliot-Curies realised a long-held dream of natural philosophers for hundreds of years: alchemical transmutation. The transformation of aluminium into phosphorus is, perhaps, not as impressive as turning lead into gold, but the actual conversion of one element into another is a stunning achievement.

For the colour inspiration, I found an image of a poster for a modern musical by Clive Nolan, a progressive rock musician and composer, called Alchemy. The colours were a perfect match for the fibre I chose for this month’s club – swirling dark black, blues and greys, with pops of red and orange.

Next up: November - Hive on superwash Bluefaced Leicester, inspired by nuclear physicist Eva Crane:

Eva Crane (née Eva Widdowson) obtained her doctorate in nuclear physics, and was a lecturer on nuclear physics at Sheffield University, beginning in 1941. The following year, she married James Crane and they received a swarm of bees as a wedding present – the giver hoped the hive would help supplement their wartime sugar ration. Dr. Crane soon became fascinated with the hive and joined a local bee club. This unusual wedding present sparked an interest that dominated the rest of her life.

Dr. Crane wrote over 180 papers, articles and books on bees. They ranged from the history of beekeeping through beekeeping methods and the nutritional aspects of honey. Her studies took her all over the world, to more than 60 countries, and she was regarded as one of the world’s foremost experts on apiculture. The US Department of Agriculture used her research to help bees in Louisiana develop resistance to mites that had been devastating the local population by breeding them to the Russian mite-resistant bees mentioned in her book.

With the arrival of winter, I was craving some bright, summer colours on my wheel! Enter this colourway, inspired by the buzz of summer: there’s dark amber for sweet, sticky honey, some really dark brown and bright yellow for the stripes of the bees, and some paler tones to even everything out.

Which finally brings us to the last instalment of 2016: Typhi, inspired by toxicologist and occupational health pioneer, Alice Hamilton.

Alice Hamilton was born in New York City and raised in Indiana. She received her medical degree in 1893, and developed an interest in public health, bacteriology and pathology. These interests found common ground when, in 1897, she moved to Chicago to take a position at Northwestern University and became a member and resident of Hull House.

Hull House was founded 1889 by Jane Addams and Ellen Gates Starr, and based on the Toynbee Hall, a centre for social reform in the East End of London. The mission of Hull House was to provide social and educational opportunities for working class people, particularly recent immigrants.

During her time at Hull House, Dr. Hamilton focused her efforts identifying the causes of typhoid and tuberculosis in the surrounding community. Her work led to an overhaul of sanitary practices in the city. In 1908, she was appointed to the newly formed state Commission on Occupational Diseases, and focused on industrial poisons. Their report resulted in the passage of occupational disease laws in a number of states. She continued working on occupational health for the rest of her career, as well as continuing her efforts for the wormen’s rights and peace movements.

In 1919, Hamilton was offered a position in the new Department of Industrial Medicine at Harvard Medical School. In going to Harvard, she became the first woman to be appointed to the university faculty in any field.

Typhoid

The colourway for the December club was derived from an image from the CDC of multi-antibiotic-resistant typhoid bacteria. The bacteria in the image have been depicted as pink, a somewhat fluffy colour for something so deadly. I found the black/pink contrast too stark when I tested it though, so I paired pinks and burgundy with shades of brown. These supplemental colours also reflect the places in the human body where the Salmonella typhi bacteria live – the blood and intestines.

 

So that's the overview of the fourth quarter of 2016 from the Lab Goddess Fibre Club. Spaces are still available in the next round, running from January-March - the first colourway is in progress and will be shipping out the week of 16th January. Fibre club sign ups will close at the end of the day on Friday the 13th of January, so don't miss out!

Diffident Light

I've been enjoying a long-ish break from most web things and social media over the holiday period, but as it's New Year's Eve, it seems like a good time to share some words.

The past year has been a pretty awful one in a number of ways - I feel like I'm hearing more hate and vitriol seemingly everywhere I turn, there is an appalling lack everywhere of people using what I still refer to as "listening ears", and hope has been in shockingly short supply in my neck of the woods. Every morning seems to bring reports of new atrocities, or the loss of yet one more public figure, or the normalisation of yet another example of horrible things people say about those that are different. I'm hoping that with this last day of 2016 I can leave some of that behind, and start looking forward to 2017.

Every day on my way to work, I take the train to Waterloo Station and walk through the underpass below the Imax theatre roundabout towards the Southbank. This means that everyday I get the opportunity to read what has become one of my favourite poems - Eurydice by Sue Hubbard. So at the end of a year that is best left behind in our collective rearview mirrors, I share it with you, and hope that it speaks to you in whatever way you need. Happy New Year.

Eurydice by Sue Hubbard (2004)

I am not afraid as I descend,
step by step, leaving behind the salt wind
blowing up the corrugated river,

the damp city streets, their sodium glare
of rush-hour headlights pitted with pearls of rain;
for my eyes still reflect the half-remembered moon.

Already your face recedes beneath the station clock,
a damp smudge among the shadows,
mirrored in the train's wet glass,

will you forget me? Steel tracks lead you out
past cranes and crematoria,
boat yards and bike sheds, ruby shards

of roman glass and wolf-bone mummified in mud,
the rows of curtained windows like eyelids
heavy with sleep, to the city's green edge.

Now I stop my ears with wax, hold fast
the memory of the song you once whispered in my ear.
Its echoes tangle like briars in my thick hair.

You turned to look.
Second fly past like birds.
My hands grow cold. I am ice and cloud.

This path unravels.
Deep in hidden rooms filled with dust
and sour night-breath the lost city is sleeping.

Above the hurt sky is weeping,
soaked nightingales have ceased to sing.
Dusk has come early. I am drowning in blue.

I dream of a green garden
where the sun feathers my face
like your once eager kiss.

Soon, soon I will climb
from this blackened earth
into the diffident light.

The shortest day of the year

It's a dreary grey day in London today, and there isn't going to be much of it. For today is the Winter Solstice, when the Northern Hemisphere experiences the shortest amount of daylight all year (a mere 7 hours and 49 minutes).

To celebrate the depths of winter, and the gradual return of the sun, today is the kick off of a fantastic KAL hosted by The Fibre Company, featuring their glorious Tundra yarn and the patterns from the Nordlándda collection!

All images copyright 2016 Kate O'Sullivan for The Fibre Co.

The KAL is being hosted in the I Heart The Fibre Co. Ravelry group, and will run through the last day of winter, on March 20th. 

As a special deal, you can get three of the Nordlándda collection patterns for the price of two - just use the coupon code Northland17 when you check out to receive your discount. I'll be hanging around the KAL thread on Ravelry to answer any questions and cheer people on, and I'm excited to be joining in!

Copyright 2016 Kate O'Sullivan for The Fibre Co.

I'm going to knit Fauske in some handspun Bluefaced Leicester - the singles are done, but now I've got to ply and finish the yarn before I can cast on. Looking forward to having you all join in! 

Yarnporium is coming!

You may or may not have seen some details over the past few weeks about a little show I'm going to be vending at this coming weekend - the brand new Yarnporium!

The Yarnporium kicks off on Saturday, 5th November at King's College London on the Strand at 10am (unless you've booked a workshop) and will run through 4pm on Sunday afternoon. If you are looking to do any holiday crafting this year, this is the show to go to! There will be yarn and kits and all sorts of lovely, beautiful treats for the crafters in your life (or for yourself, when you get right down to it!) Allison has been doing an amazing job sharing previews of vendor goods on Yarn in the City, but I thought I'd do a bit of my own sharing.

So what am I bringing to the Yarnporium? Well...first up will (obviously) be fibre. Lots and lots of fibre...

Clockwise from top left: Haematoma Humbug BFL, Willow Hearth Romney, Hoard Falkland, Shetland/Suffolk Victoria Sponge batt, Alpaca/Ile de France Victoria Sponge Batt and Quantum Dots BFL.

I'm also hoping to have a few more gradients for the show, including a very last minute one inspired by this gorgeous autumnal vine I saw over the weekend.

I'm also planning on having quite a few spindle kits available - if you've been wanting to learn how to spin, or know someone who wants to learn, these make great Christmas presents! You get a drop spindle, instructions, and four 1 oz/28 g bundles of different fibres to try out for £20. I'll have them with a wide selection of fibre colours and types, so do come by and check them out!
 

Tickets for the Yarnporium are still available at the early bird price (£8 per day/£12 for a weekend ticket) until tomorrow. After that, the prices will go up to £10/£15 respectively, so don't wait! It should be a great weekend and I'm looking forward to seeing you there!